“To recover the great treasure which the Tradition of the Church gave to us, it is necessary to begin with Gregorian chant, which is capable of communicating to the people of God the sense of Catholicity and to guide it towards a correct inculturation."
So saith Benedictine Abbot Michael Zielinski, the new appointee to the new office on liturgical arts at the Vatican.
"The Extraordinary Form will help renew our focus on God also in the
Ordinary Form. I think also that the Extraordinary Form draws men more
powerfully than Ordinary Form." -- Fr. John Zuhlsdorf
A day of instruction, devotion, and intercession based on the message given at Fatima in 1917
Our Lady to Lucia,
June 13, 1917:
“Jesus wishes to establish in the world devotion to my
Immaculate Heart.”
Saturday, November 17, 2012 Saint Mary’s Church All Saints Parish 155 State St, Corning, NY (607) 936-4689
9 a.m.Fatima
Video Presentation (All Saints Academy Gym)
10:10 a.m.Procession of Our Lady into St. Mary’s Church accompanied by a
Devotional Crowning, Angelus, sung Litany and the Five Joyful Mysteries
10:40 a.m.Missa
Cantata (Latin Mass) in Honor of Our Lady
12:25 a.m.Lunch
Break in All Saints Academy Gym (please bring your own bag lunch)
1:25 a.m.Procession of the Blessed Sacrament, Conferences on Our Lady and the
Blessed Sacrament, Act of Consecration, Benediction, Enrollment in the Brown
Scapular and Conferment of the Miraculous Medal
3 p.m.Day
ends
Priests available all day for confessions
For more information about A Day with Mary, contact Brother Michael at (607) 797-8057
Here is an excellent article on the purpose of sacred music, what constitutes it, and what quality means when we speak of sacred music. (H/t Fr. Z, of course.)
Here's a snippet from the article: In many parishes, the modern piano has supplanted the pipe organ. As a secular keyboard instrument, the piano delivers such an idiosyncratic tone that it is excluded from the symphony orchestra because it overpowers the sounds of other instruments. The modern piano succeeded the harpsichord and clavichord to support the heavy touch created by nineteenth-century compositions. With its percussive and sensual tone, sustained by the pedal, the piano functions best in a secular ambiance and has no place in the liturgy.
Is all this sung prayer?
Here is a before-and-after video of what an altar looks like for an EF Mass. Unfortunately, the advertisement before the video is for a contraceptive product, but such are the times we are living in. Enjoy! (H/t to Fr. Z's loyal posters).
La métamorphose d'un autelby CHRIST-REDEMPTEUR
There is an upcoming pontifical mass to celebrate the Feast of the Annunciation on March 26. Here's a couple details:
Bishop Timlin will celebrate the Pontifical Mass at the faldstool according to
the Roman Missal of 1962, the form of the Catholic Church’s Mass in Latin before
the Second Vatican Council. Organist and choirmaster, Pedro d’Aquino, will lead
the schola and choir singing Missa O soberana luz by Portugese composer
Filipe de Magalhães (c1571-1652).
For more details, read about it here. H/t to Fr. Z, who blogs about it here. Sponsored by the New York Knights of Columbus. Thank you, good sir knights.
From the Catholic convert Ann Barnhardt: On Jesus, Religion, Ted Kennedy & D1 Cats. She talks a little bit about her conversion, then segues into the Mass in the Extraordinary Form, and then, well you can read the whole thing if you don't mind someone who forcefully speaks her mind. I will quote just a snippet here: For you Catholics who aren’t attending a pre-Vatican II Tridentine Latin Mass, think about it. Who is the physical focus of the Mass? It is probably the priest, interspersed with lectors, a cantor, the choir and musicians (up front so everyone can SEE THEM!) and Eucharistic ministers. Where does the priest sit? Probably with his back to the Tabernacle, if the Tabernacle hasn’t been moved off to the side or into a sacristy completely. Which direction is the priest facing? WHO is the priest addressing? Towards the PEOPLE. Everything is physically oriented not towards Christ, but towards the people. By setting up a second altar (in the case of an old church that has a high altar, sitting unused) or by having a table-style altar in a new-construction church, with the priest on one side and the people on the other, what has happened is that the people have literally turned their back to God and have instead formed a circle of self-absorbed, self-regarding self-worship.
What began as Jewish and then Christian cemeteries, later became temporary places where "The Lord's Supper" or the "Sacrifice" were conducted, and still later became shrines and places of pilgrimage.
This blog, dedicated to the Traditional Latin Mass, hopes to retain the spirit of the Christian Catacombs, where the early Church revered those who had gone before, filling the tombs with beautiful signs and symbols of Christian art--silent testimony to the faith of early Christians.
Though the catacombs are burial places, the symbols and artifacts point to life. That 'great cloud of witnesses' who have gone before still surround us. We are tied to them through time and eternity in the universal embrace of the Holy Catholic Church.